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Nollytainment To Partner With Silicon Valley Company To Introduce NOLLYCLOUD

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………. a Revolutionary Wireless Movie Download App That Does Not Use Internet Data Or Bandwidth

In a game changing development for Video and Movie industry, Nollytainment Inc, the promoters of the Nollycoin Cryptocurrency, announced its intention to Partner with a Silicon Valley Tech Company To introduce Nollycloud, a new proprietary technology that would allow video and movie users to download huge data files from the internet to their Phones, Laptop or desktop devices, with lightening-fast speed, without using any part of their internet bandwidth subscription ……

Industry experts are saying this technology would be a major disruptor in the way movies are being distributed, downloaded, and watched in Africa and other development countries with slow and expensive internet access.

Prior to this breakthrough Video-Download Technology called NollyCloud, a major problem limiting the access to movies from the internet in many countries, particularly in Africa and other Developing Countries, is the time, cost and bandwidth often required to download movies to the mobile phones or computers of consumers

Typically, with the annoyingly slow and erratic internet services in most developing nations, to download a full length 2-hour movie from the internet will typically take anywhere from 1 hour to 3 hours depending on the time of the day. The process will also eat up huge chunks of the expensive internet access bandwidth of the user. For instance, a 2 hour movie will typically consume about 2 gigs of internet data.

This is a huge cost in an environment where a 2-Gig internet device would cost about $10 or more (most internet services in africa and other developing nations do NOT have unlimited internet access plans. You are charged per data used)

To make matters worse for internet users, more often than not, the movie downloading process is often interrupted before it was fully downloaded because of the erratic and unstable internet service in most parts of the developing nations. When that happens the user would lose the bandwidth already used before the download attempt. The user would then have to start all over again by using up another 2 gigs of data to download the same 2 hour movie or video that failed.

Needless to say this has become a very frustrating and expensive exercise for movie lovers, as well as those who want to download video training materials from the internet.

Due to this highly frustrating process, most mobile users in africa would not even consider watching movies online or buying movies to download and watch later. This in turn has severely limited the reach and scope of the movie industry and video training industries in developing nations

However, with the proprietary breakthrough technology in the NollyCloud, this expensive and frustrating problem has now been solved in a way that is nothing short of amazing.

With NollyCloud App, mobile and Desktop users no longer need to use any part of their internet service data to download full length movies or access huge videos from the internet. This breakthrough technology completely bypasses regular internet service and the conventional WiFi . It uses a proprietary download access protocol that is independent of how much data a user has with his/her internet service.

In addition, users can now download heavy duty data of a full 2-hour or more movies within 1 minute or less! In order words a process that would typically take over 60 minutes, and several restart attempts, could now be accomplished in less than 60 seconds.

Once the movie is downloaded through the NollyCloud App on the users phone or desktop, these movies can be watched seamlessly from the app without the annoying buffering or interruptions that one often got with other popular video player services like YouTube, Vimeo or others.

The video player inbuilt into the NollyCloud app let’s the user play the video as if it’s was fully loaded on his/her hard drive computer, Phone or Laptop without any interruptions! Once downloaded, the movie stays on the app and can be watched at anytime on the app, and as many times as the users want, without using even a single bite of their internet service

Dr Ope Banwo, Founder/Ceo of Nollytainment was ecstatic about this major breakthrough in the movie distribution, download and consumption experience. According to him “We are so blessed to be the first company to partner with a tech company solve a major problem that has limited the growth and development of the movie industry in developing nations where the cost of internet access is ridiculously expensive and prohibitive for users. Many people who have been prevented from being able to download and enjoy full length movies on their mobile phones, laptops or desktops can now do so with astounding speed at not cost of internet bandwidth. I honestly can’t overstate the importance of this app to the growth of the movie industry”.

The NollyCloud is being postioned to be one of the key products in the Nollytainment blockchain ecosystem. The NollyCloud App would be available initially as an exclusive utility for holders of the Nollycoin Cryptocurrency

The official rollout of the NollyCloud has been tentatively fixed for the 1st week of August as part of the schedule of the unveiling of the different pieces of the Nollytainment Ecosystem.

Apart from the game changing NollyCloud App , other components of the Nollytainment ecosystem include:Nolly Cinemas (Blockchain enabled screening of movies at cinemas); NollyFlix ( An online Movie Streaming Platform that has been described by knowledgeable observers as a kind of Netflix on Steroids); NollyMall ( An Amazon styled Marketplace for entertainment products and services ); Nolly Academy ( An online and offline training and certification platform for aspiring entertainers, industry technicians and support personnel ); Nolly Crowdfund — (A special crowdfunding platform for movie producers) . This will help qualifying producers raise funds for their projects through their fan base.

For more about Nollytainment’s ecosystem and it’s ongoing crowdfunding campaign go to ico.Nollycoin.com.

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‘I had the idea for my movie while drunk’ – Tiwa Savage

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Nigerian singer, Tiwa Savage has revealed that her debut movie ‘Water & Garri’ was conceived while she was intoxicated.

She disclosed this at the pre-launch press conference held at the Livespot Entertainment Centre in Lagos, on Thursday.

“I said this before, this is an idea I had in my head when I was drunk in my room, and when I brought the idea to my amazing team, they didn’t make me feel stupid. They actually just said this is a brilliant idea,” Savage recounted.

‘Water & Garri’ premiered on Prime Video on May 10.

The movie follows the story of Aisha (Tiwa Savage), a young woman who has been estranged from home, returns to find her native home, vastly transformed from the one she left behind.

It also stars Andrew Bunting (as Kay), Mike Afolarin (as Mide), and Jemima Osunde (as Stephany).

The movie was filmed in Cape Coast, Ghana, and directed by Meji Alabi.

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FULL LIST: The 10th AMVCA 2024 winners…..

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The 10th Africa Magic Viewers’ Choice Awards was held today at the Eko Hotel and Suites, Lagos State.

The AMVCA, an annual award presented by MultiChoice, recognises outstanding achievements in television and film.

Below is the list of winners:

Best Makeup

Francesca Otaigbe (Over the Bridge)

Campbell Precious (Mami Wata) – WINNER

Hadizat Gambo (Mojisola)

Hakeem Onilogbo (Jagun Jagun — The Warrior)

Feyisayo Oyebisi (A Tribe Called Judah)

 

Best Art Direction

Blood Vessel (Victor Akpan)

Over The Bridge (Abisola Omolade) – WINNER

Breath of Life (Okechukwu Frost Nwankwo, Kelechi Odu)

 

The Black Book (Pat Nebo and Chima Temple)

Jagun Jagun: The Warrior (Tunji Afolayan)

Mami Wata (C.J ‘Fiery’ Obasi)

Omen (Eve Martin)

 

Best Costume Design

Demola Adeyemi (Over The Bridge)

Bolanle Austin Peters, Ituen Basi, Folake Coker and Clement Effanga (Funmilayo Ransome-Kuti)

Lola Awe (Jagun Jagun: The Warrior) – WINNER

Bunmi Demilola Fashina (Mami Wata)

Daniel Obasi (Breath of Life)

 

Best Writing TV Series

Skinny Girl in Transit Season 7 (Bunmi Ajakaiye, Ifeanyi Barbara Chidi and Abdul Tijani- Ahmed)

Wura Season 2 (Jeffery David Musa, Olumide Kuti & Esther Oyiza Kokori)

Visa on Arrival (Bovi Ugboma)

MTV Shuga Naija (The MTV Staying Alive Foundation)

Volume (Mona Ombogo) – WINNER

Masquerades of Aniedo (Timendu Aghahowa & Motunde Akiode)

Slum King (Donald Tombia, Ifeanyi Barbara Chidi, Fatimah Binta Gimsay & Xavier Ighorodje)

Best Writing in a Movie

Breath of Life (BB Sasore)

Over The Bridge (Tosin Otudeko)

Funmilayo Ransome-Kuti (Tunde Babalola) – WINNER

Jagun Jagun: The Warrior (Adebayo Tijani)

Afamefuna (Anyanwu Sandra Adaora)

A Tribe Called Judah (Olufunke Ayotunde Akindele, Collins Okoh and Akinlabi Ishola)

Mami Wata (C.J. ‘Fiery’ Obasi)

 

Best Sound Design

Ava Momoh (Over the Bridge)

Daniel Pellerin and Amin Bhatia (Kipkemboi)

Grey Jones Ossai ( Blood Vessel) – WINNER

Grey Jones Ossai (Breath of Life)

Samy Bardet (Mami Wata)

 

Best Editing

Chuka Ejorh And Onyekachi Banjo (Over The Bridge)

Holmes Awa (Breath of Life)

Alex Kamau And Victor Obok (Volume)

Dayo Nathaniel (Ogeere — Earth)

Antonio Ribeiro (The Black Book) – WINNER

Nathan Delannoy (Mami Wata)

 

Best Indigenous Language Film (West Africa)

Mami Wata (C.J. ‘Fiery’ Obasi)

Jagun Jagun (Femi Adebayo) – WINNER

Ijogbon (Kunle Afolayan)

Orisa (Odunlade Adekola)

Nana Akoto (Kwabena Gyansah)

Best Indigenous Language (East Africa)

Where The River Divides

Ormoilaa Ogol (The Strong One) – WINNER

Wandongwa

Nakupenda

Itifaki

 

Best Cinematography

Mami Wata (Lílis Soares)

Blood Vessel (Gideon Chukwu)

Over The Bridge (KC Obiajulu) – WINNER

Breath of Life (Ola Cardoso)

Jagun Jagun — The Warrior (Adeoluwa Owu)

Ijogbon — Chaos (Adekunle Nodash Adejuyigbe)

Omen (Joachim Philippe)

Best Indigenous M-Net Original

The Passenger

Nana Akoto

Apo

Irora Iya (Adeniyi Joseph) -WINNER

Love Transfusion (Kiapo Cha Damu)

 

Best Digital Content

National Treasure — Adebola Adeyela (Lizzy Jay)

Medical Negligence and Copyright Infringement — Isaac Ayomide Olayiwola (Layi Wasabi) – WINNER

Hello Neighbour — Elozonam Ogbolu, Lina idoko and Jemima Osunde

The Boyfriend — Maryam Apaokagi-Greene

 

Best Short Film

T’egbon T’aburo

Broken Mask – WINNER

Eighteenth Year

Man and Masquerades

A Place Called Forward

 

Best Unscripted M-Net Original

What Will People Say

The Irabors’ Forever After

Nwuyee Bekee (Foreign Wives) – WINNER

Date My Family Zambia

Royal Qlique (Season 2)

 

Best Scripted M-Net Original

Slum King – WINNER

Half Open Window

Itura

The Passenger

Magic Room

 

Best Supporting Actress

Joke Silva (Over the Bridge)

Fathia Williams (Jagun Jagun — The Warrior)

Itura

The Passenger

Magic Room

 

Best Supporting Actress

Joke Silva (Over the Bridge)

Fathia Williams (Jagun Jagun — The Warrior)

Bimbo Akintola (The Black Book)

Genoveva Umeh (Breath of Life) – WINNER

Eliane Umuhire (Omen)

Tana Adelana (Ijogbon — Chaos)

Ejiro Onojaife (The Origin: Madam Koi Koi)

 

Best Supporting Actor

Alexx Ekubo (Afamefuna)

Demola Adedoyin (Breath of Life) – WINNER

Itele d Icon (Jagun Jagun: The Warrior)

Gregory Ojefua (This is Lagos)

Timini Egbuson (A Tribe Called Judah)

Levi Chikere (Blood Vessel)

Ropo Ewenla (Over the Bridge)

Trailblazer

Chimezie Imo

 

Industry Merit Award

Esther Idowu Philips AKA Iya Rainbow

Richard Mofe-Damijo

Best Lead Actress

Segilola Ogidan (Over the Bridge)

Lucie Debay (Omen)

Omowunmi Dada (Asiri Ade)

Ireti Doyle (The Origin: Madam Koi Koi)

Adaobi L. Dibor (Blood Vessel)

Evelyne Ily (Mami Wata)

Kehinde Bankole (Adire) – WINNER

Funke Akindele (A Tribe Called Judah)

 

Best Lead Actor

Wale Ojo (Breath of Life) – WINNER

Stan Nze (Afamefuna)

Marc Zinga (Omen)

Gideon Okeke (Egun)

David Ezekiel (Blood Vessel)

Richard Mofe Damijo (The Black Book)

Adedimeji Lateef (Jagun Jagun — The Warrior)

Gabriel Afolayan (This is Lagos)

Best Multichoice Talent Factory Movie

Grown

Her Dark Past – WINNER

Somewhere in Kole

Full Time Husband

The 11th Commandment

Mfumukazi

Best Unscripted Series

Lol Naija (Season 1)

Nightlife In Lasgidi

The Real Housewives Of Lagos (Season 2)

Gh Queens (Season 2) – WINNER

Mutale Mwanza Unscripted (Season 1)

Best Scripted Series

Volume

Wura (Season 2)

Slum King

Itura – WINNER

Chronicles

Best Director

Moses Inwang (Blood Vessel)

Adebayo Tijani And Tope Adebayo (Jagun Jagun — The Warrior)

BB Sasore (Breath of Life) – WINNER

Johnscott Enah (Half Heaven)

C.J. Fiery Obasi (Mami Wata)

Kayode Kasum (Afamefuna)

Tolu Ajayi (Over The Bridge)

 

Best Movie

Funmilayo Ransome-Kuti

Breath of Life – WINNER

Over The Bridge

Blood Vessel

A Tribe Called Judah

The Black Book

Mami Wata

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AFRIMA: Beat S’Africa to hosting rights, stakeholders tell Tinubu, Musawa

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insists one edition must hold in Abuja, Jos, Kaduna

 

A culture and creative industry advocacy group, Arewa Creative Industry Heritage Vanguard, has called on President Bola Ahmed Tinubu and the Minister of Art, Culture, and Creative Economy, Hanatu Musawa, to lead efforts in securing the hosting rights for the next two editions of the All Africa Music Awards (AFRIMA)offered by the African Union Commission to Nigeria and South Africa as reported in the media recently. They want to ensure that at least one edition of the prestigious event takes place in the northern region of Nigeria of Kaduna, Jos or Abuja due to years of deliberate marginalization and deprivation of international events of this nature.

 

 

 

According to Dr Shehu Samadi, the President of the Vanguard, speaking from Kaduna, they have learned that the African Union (AU) invited the governments of Nigeria and South Africa to submit bids for the hosting rights for the next editions of the All Africa Music Awards (AFRIMA). As such, they are imploring and advising President Tinubu not to allow South Africa to beat Nigeria to the hosting rights as this will have implications on the national psyche of Nigerians and the development of the music industry. It called on the Honorable Minister of Art, Culture and Creative Economy, Hanatu Musawa to update Nigerians on the progress made thus far in securing the AFRIMA hosting rights, for Nigerians to know how and where to assist in achieving this common objective.

 

 

 

The group, which comprises cultural enthusiasts, music industry stakeholders, and advocates for Northern Nigeria’s music heritage, recognizes the significance of AFRIMA in promoting African music and fostering cultural exchange across the continent and with the rest of the world. Therefore, they believe it is essential for Nigeria, especially the Northern region, to play a central role in hosting the event and showcasing the country’s rich creativity and cultural diversity from its point of expertise and cultural expression.

 

 

 

Samadi emphasized three significant reasons why President Tinubu should champion the course of securing the hosting rights. The group recalls with nostalgia how President Tinubu in 2015, in person received a 23.9 karat gold plated AFRIMA trophy as the pillar of Art and Culture in Africa presented by the African Union commission.” This should motivate the President to intensify efforts to secure the hosting rightshaving experience the creative power and the global influence of AFRIMA personally.

 

 

 

The second reason is that as the Chairman of the Economic Community of West African States, ECOWAS, President Tinubu can utilize the opportunity of hosting a large-scale event like this to further his commitment towards promoting unity, economic development, and cultural diversity in the region and on the continent. Although an event of AFRIMA’s scale can cause significant ripples across the continent and around the world, Nigeria stands a chance of benefiting the most, and we in the North hope to tap into the inherent benefits as against the past practice of marginalization where such international events are preserved for the exclusive experience of the southern part of Nigeria..”

 

 

 

Thirdly, the Nigerian Music industry has witnessed astronomical global growth with little or no input from successive governments. Hosting an AFRIMA by this government provides an appropriate platform for the Tinubu Administration to establish itself as a creative industry supporting the government as well as engendering positive perception and image for Nigeria to attract tourism and foreign direct investment.

 

 

 

“Fourth, we believe that Northern Nigeria has the potential to become a tourism hub, and hosting events like this can help mitigate the effect of insecurity in our region. We are eager to host an event like this because we strongly believe that it could be used to address the issues that have plagued our region, including terrorism and banditry. By promoting peace and tranquillity, our youth can embrace hope and prosperity as well promote the budding music talents in the region who require inspiration and pragmatic motivation” he said.

 

 

 

The group is advocating for the cities of Abuja, Jos and Kaduna to be considered as host cities for at least one of the two editions of AFRIMA. The group believes that these cities are strategically located, culturally significant, and have vibrant music scenes, making them ideal venues for the event.

 

 

 

The group expresses concern over what they perceive as a pattern of neglect in the hosting of key musical events, and they call for greater inclusivity and representation for the Northern region. They note that in recent years, there has been a growing sentiment among stakeholders in the Northern music industry that the region is often overlooked when it comes to hosting major international events.

 

 

 

Samadi said: “Despite boasting a wealth of cultural heritage and a thriving music industry, Northern Nigeria has frequently found itself sidelined in favour of other regions when it comes to hosting events of national and international significance. This is unfortunate.

 

 

 

“We strongly believe that hosting AFRIMA in Abuja, Jos and Kaduna would not only stimulate economic growth and promote tourism in the region but address this feeling of discrimination against us.

 

 

 

“In addition to the big music superstars from this part of the country, Abuja, Jos and Kaduna have the infrastructure, capacity, and cultural significance to host AFRIMA successfully. It is time for Northern Nigeria to be given the recognition it deserves on the continental stage.”

 

 

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