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SHAIBU HUSSEINI ,NFVCB HELMSMAN ASSUMES OFFICE, HOST NETFLIX 

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The new Executive Director of the National Film and Video Censors Board (NFVCB), Dr. Shaibu Husseini has finally assumed office, with a call to the Management and Staff to cooperate with him to add more blocks to those already erected by his predecessor, Alhaji Adedayo Thomas.

The President and Commander in Chief of the Armed Forces, Bola Ahmed Tinubu on January 12, 2024, appointed Husseini, a notable journalist, film critic and cultural administrator, as the Executive Director and Chief Executive Officer of the NFVCB, apex regulatory agency for film and video works in Nigeria. Husseini commended the management and staff for their patience during the unusually long documentation process, which culminated to the delay in his resumption.

The new Executive Director, who on the first day of resumption held a plethora of meetings, stressed the need for unity, teamwork and good interpersonal relationship among the staff, noting that those were the ingredients required to move the Board forward. He noted that he has come to work and contribute his own quota so that by the time his successor comes he would continue with other aspects of the building process.

Cheers from the staff greeted the chief executive, when he addressed them, assuring them he would run an inclusive management system. Said he, “I am an open book; I assure you I will carry everyone along. Incidentally, I have associated with the Board as a journalist since its formal take off in 1994. So I am home. Therefore I expect that you all will treat me as a family member.” He emphasised the need for professionalism, discipline and unity stating that division, camps and favoritism were counterproductive to the Board.

The Executive Director conveyed to the meeting the decision of the Radio, Television and Theatre Workers Union, (RATTAWU) unit of the Board to hold an election and end the era of Caretaker administration which has bedeviled the Board for sometime now.

The Director of Administration, Mr. Ferdinand Abua who earlier welcomed the Executive Director to the Board, assured him of the support of the staff and management to move the Board forward.

 

In the meantime, top officials of the streaming entertainment giant Netlix were the first organisation to pay a courtesy call to the Executive Director. Led by Shola Sanni, Director of Public Policy, for Sub Saharan Africa, the team had fruitful discussion with Executive Director and the Management of the Board. The Director general expressed his appreciation for Netflix’s significant impact on the Nigerian film industry, applauding their efforts in elevating the standard of movie making, empowering filmmakers economically and in creating jobs

 

He particularly commended Netflix’s support for quality control measures and their participation in NFVCB’s programmes such as the annual Digital Conference. He admitted that the collaboration has led to more consumer awareness and it enhanced Media literacy especially among practitioners and the different groups in the viewing ecosystem.n

 

The Executive Director emphasised the Board’s role in regulating the industry to ensure that content align with laws and does not abuse the sensibilities of the audience. He commended Netflix for their steadfastness in supporting the industry despite challenges and requested their continued assistance, especially in content classification and monitoring, particularly focusing on issues of morality and children’s viewing content. The Executive Director also mentioned plans to host a Nigerian film and video Market and a Production cum distribution laboratory aimed at providing access to our films and filmmakers and building capacity in the area of production and distribution. He also harped on plans to digitise the operations of the board, to which he sought Netflix’s support and collaboration

 

While responding, Shola expressed Netflix’s objective understanding of the Executive Director’s vision, agenda and strategies for empowering filmmakers in the Nigerian film industry. She also highlighted their role in the industry and their commitment to support the Board in actualizing it’s regulatory mandates.

 

She stated the unwavering commitment of Netflix to promoting culture and helping Nigerians tell their stories. They highlighted their diverse content and their focus on ensuring that viewers can find what they are looking for on their platform. They acknowledged the importance of parental control, self censorship and consumer awareness noting their collaboration with NFVCB in these areas. Netflix pledged to support the Board’s future digitalization efforts, making programmes accessible and ensuring availability to the public. The Netflix team also expressed willingness to support in media literacy programmes.

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Popular Influencer / Skit maker Taaooma, husband welcome baby girl

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Popular skit maker Taaooma and her husband Abula have welcomed their first child, Amani Greene.

 

Taaooma shared the exciting news on Instagram on Thursday, December 5, 2024, with a heartwarming video post, stating that she was born November 7, 2024.

 

Taaooma, whose real name is Mariam Apaokagi, gained fame through her comedy skits that humorously depict the unique parenting style of Nigerian mothers.

 

 

The news of her baby’s arrival has been met with an outpouring of love and congratulatory messages from fans and fellow celebrities.

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Netflix: ‘They spend 10% on movie, use others to buy cars, houses’ – Basketmouth Blasts Nollywood producers

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Nigerian comedian and filmmaker, Basketmouth has accused Nollywood producers of mismanaging funds allocated by global streaming platforms, claiming that their actions have negatively impacted the quality of Nigerian films.

Speaking in a recent interview on Arise TV, the entertainer alleged that many producers misuse substantial portions of the budgets provided for movie production, diverting the funds for personal gain.

According to him, only a small fraction of the funds is utilized for actual filmmaking.

“When the streaming platforms came in, they gave money to these producers, and I’ll tell you point blank: these producers would take the money—$1.5 million or whatever they give them—and use about 10% of that money to make the movie,” he said.

Basketmouth further claimed that streaming platforms, upon discovering these alleged malpractices, decided to pay actors directly to ensure transparency.

However, producers reportedly devised a way to continue the fraudulent activity by coercing actors into returning part of their pay.

“Even to the point where the streaming platforms stepped in and said, ‘You know what? We are going to be paying the actors directly,’ these guys would still go behind and tell the actors to pay half of that money back to them. You can verify the information anywhere,” he added.

The filmmaker argued that the mismanagement of funds has significantly affected the quality of Nollywood films, with some epic productions appearing substandard.

“So, when you do that and expect your movie to be 100%, it can’t. It’s impossible. But these guys? They’ll cut, buy houses, buy cars. And that’s why when you see our movies, some of our epic movies look like stage plays,” Basketmouth lamented.

 

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Nollywood Suffers A Huge Setback: Netflix Cancels Nigerian Originals, Filmmaker Kunle Afolayan Reveals

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Nollywood has been dealt another significant blow as it’s reported that Netflix has cancelled its Nigerian Originals, a move that is set to have far-reaching implications for the country’s film industry.

The cancellation of Nigerian Originals is a devastating setback for Nollywood, which has been working tirelessly to gain global recognition. The move is also a significant blow to the many Nigerian filmmakers who had pinned their hopes on Netflix to showcase their stories and talents to a global audience.

Listen to filmmaker Kunle Afolayan talk about his Netflix deals, their approach to content and their shocking move to cancel all Nigerian originals in development.

Netflix Executive David Karanja Exits, Citing Bright Future for African Storytelling..

David Karanja, Netflix’s Executive in Charge of Licensing Originals, has announced his departure from the streaming giant. In a heartfelt goodbye post on LinkedIn, Karanja expressed his optimism for the future of African cinema and television.

“While the world is beginning to recognize the power of African voices and stories told by Africans, I believe we are on the brink of a watershed moment for African cinema and television, similar to the leaps we’ve seen in music,” Karanja wrote.

Karanja’s exit comes at a time when Netflix is reassessing its content strategy in Africa. The departure of a key executive overseeing original content licensing in Africa may indicate a shift in the company’s priorities. However, Karanja’s positive outlook on the future of African storytelling suggests that the continent’s creative industry is poised for growth and increased global recognition.

David led Netflix Africa’s original content team from September 2021, overseeing the development and launch of over 35 series and films, including notable titles such as Ludik, Country Queen, Shanty Town, and Anikulapo.

He also secured key licensing agreements, bringing premium content such as Yizo Yizo and Shaka Zulu to the platform. As a key member of the team that pioneered Netflix’s African Originals strategy, David played a pivotal role in shaping the platform’s content offerings for the continent before departing the role close to 2 years later.

In Summary

With the streaming giant’s withdrawal from the Nigerian market, many are left wondering what the future holds for the country’s film industry.

 

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