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The Black & White Ball raises Richter scale of pleasure heavenwards…



PLEASE, follow me –to where pleasure has made home, to a rollicking shindig with all the elements of bliss in abundance.

Hosted for the good, the great, the gorgeous and the glamorous, we are at the magical marquee, the gem of New Lagos, decorated with opulence only royalty can conjure.

And take your seat, at the well-laden table, with chargers and cutlery, glasses for water, wine and champagne.

Relax!  You are at The Black & White Ball, Season 5. Enjoy the high-octane 7-star ceremony which colours the social calendar crimson and cheerful.

With guests dressed to the nines, everywhere is star-studded, with A-listers of movies and music, television and comedy, upright politicians and serious professionals rubbing shoulders with committed entrepreneurs.

Elegance and elan are pervasive.  With all in very formal attires, in monochrome ensembles, the atmosphere is heavenly.

From the welcome reception at a smaller marquee, cooled and well put together, you see a lot of familiar faces, chat and backslap.  The canapés, small chops and cocktail are painstakingly choreographed.

And in the big marquee, breathlessness at an uncommon beauty is common place.

The music, from the king with obedient compatriots, DJ Jimmy Jatt, is appropriate.  You settle in well.

And as soon as the programme kicks off, dramatic twists and turns and exciting scenarios reel before your eyes.

From awards to fashion, dance to comedy and more music, it is a day sophistication romances soigné.

For six hours, the extravaganza provided enjoyment of the best kind.

As the day draws to a close this beautiful Sunday, you don’t want the ceremony to end. But you have to.  Tomorrow is Monday, and many more balls will come your way.

These pictures are familiar to our guests, those who have enjoyed our ball, groove and gig. At this 2014 edition of The Black & White Ball incorporating the Elegance and Style Awards and parading the spectacular fashion show, we have raised the enjoyment scale far higher.


Whatever is important should be well plotted and executed. Monitored with undivided attention and implemented with precision. That’s what we have always done, and we can’t depart from our ways.

So, for this fifth edition of The Black & White Ball, we have given ourselves enough time to stage a show you will be glad to grace.

And many days after Easter, the ceremony will be hosted in Lagos.  Ladies and gentlemen, those we are honoured and humbled having on our guest list, begin preparing for the ball like no other.

It is about you, and we want you at your best.


We are back with The Black & White Ball in New Lagos, the better and posher part of town with well-laid out roads and more majestic structures.

We are back to where the magic wands of the governor of the good people of Lagos have created a mini city fit for discerning minds.  Babatunde Raji Fashola (SAN) has millions of admirers on account of his strides in many areas of development.  And when it comes to New Lagos, critics have been silenced for good.

So, we are here once again at the gem of this posher part of town, at a marquee which can host our guests and treat them to a 7-star enjoyment.

This time, we are using two marquees –a small one for the welcome reception and the expansive one for the show proper.


We never fib or exaggerate and paint ludicrous scenarios.  We always deliver on our promises.  And when it comes to events, we lead on many fronts by hundreds of kilometers.

Our primary objective at this ball like no other is to replicate royal treatment, and lavish our guests with attention and pamper them to bliss with all the goodies kings and queens will applaud.

From the venue and decoration to welcome reception, food and drinks, entertainment content and more, we go the extra mile.

Apart from doing our brand a world of good, and providing platforms for other organizations, the assemblage of stars dressed in monochrome takes our breath away.  And we enjoy hosting these shindigs!

That is why we never cut corners or dash hurriedly.


There are always many new comers in any town.  And since Lagos is the hub of commerce, big business and entertainment, it must accommodate new faces.  And at this year’s Black & White Ball, we acknowledge those who ordinarily are in the glamour and chic set when they were at their previous bases.

So, celebutantes and new comers, welcome to Lagos.  You can partake in the most elegant ball in this side of the Sahara.

Tickets are available –just watch this space.


The dress and colour codes for The Black & White Ball?  Very formal attires in black and white.  So simple and straight forward.

Why? Because it is a ball.  And balls demand the most formal gears.

Gentlemen are to adorn tuxedo, white shirt, black tie, cummerbund or waist coat, trousers hitched with suspenders, black socks and gleaming black shoes.

Or formal traditional regalia reserved for high ceremonies.

Ladies should choose long or short dresses (below the knee), high heeled shoes.

Or body caressing skirt and blouse, George wrapper and top or iro and buba.


The elegant and simple invitation cards have left our designers’ table.  But we are fine-tuning a few details before we go to press.

Soon, the invites which reminds you of what Queen of England, Her Royal Majesty Elizabeth II would have sent, will land on your doorsteps.

But if you are on our guest list, be rest assured that yours will soon be delivered –and begin preparations.

Decide on your duds and your company (your companion, if you are not married or in a serious relationship).


Remember Hillary Rodham Clinton’s book, It Takes a Village…Yes, it takes a village to raise a child to raise a child!

Yes, it takes legions of people to accomplish anything worthwhile.  And here at ENCOMIUM, the magazine and events company, we are well aware of our limitations.  We know we need a lot of support –and we are grateful that we can count on many people and organizations.

For this ball, we need pillars and supporters, sponsors and partners.  There are legions of benefits and goodwill on this platform.

Want to be by our side?  Kindly call or text 08055002034 or send a mail to


On offer are branded tables of ten guests planted in the hub of the shindig.

The tables with many benefits can be picked by organizations or individuals.

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The Accelerate Filmmaker Project is an initiative of Accelerate TV, powered by Access Bank, created to train, empower and give a platform to young enthusiastic filmmakers between the ages of 18 -29 to actualize their filmmaking dreams.

The 2023 edition of the AFP training week incorporates a host of well-known industry professionals and heavyweights who work both in front and behind the scenes, including Judith Audu, Joke Silva, Theo Ukpaa, Kenneth Gyang, Chris Odeh, Xavier Oghorodje, Tolu Ajayi, Tunji Afolanya, Steve Sodiya, Dianne Russet, and more to ensure the trainees get a well-rounded understanding of the filmmaking ecosystem.

Ukpaa had an incisive two hours session at the Accelerate TV conference classes in Victoria Island, his teachings to the young filmmakers was focused on how you can apply creative and intelligence means to making an excellent film designed to sweep awards in film festivals all over the world.

“I haven’t met a filmmaker yet who doesn’t want to make a festival worthy film. But the process of finding and selecting an appropriate film festival is time-consuming and expensive. Getting your film accepted by an international film festival can be fun – and can really help with the distribution of your film. Acceptance to the right kind of festival can stamp ‘quality independent film’ all over your film and your independent film career” Theo Emphasized.

The AFRIFF COO also went on to narrate that a film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival’s focus, can include international and domestic releases.

The first Film Festival was in Venice in 1938. Today there are over 500 major international film festivals, and thousands of local, niche, and intermittent ones.

Commenting on the return of the Accelerate Film Maker Project, Head of Accelerate, Colette Otusheso commented: “We are excited to be bringing back the instalment of our award-winning capacity building and mentoring project, The Accelerate Filmmaker Project in partnership with Access Bank and AFRIFF. This year we will be training and empowering more young people and throwing in some big surprises along the way. The AFP is all about training and empowering young people while giving them the skills, tools, access and a stepping stone to realise their dreams and bring their stories to life.”

Ukpaa has just returned from the Cannes International film festival in far away France, in time for the Accelerate classes. When asked about plans for AFRIFF this year, he mentioned that Africa is yet to experience the greatest film gathering yet at this year’s festival. “So many interesting programs lined up and so many new international partners are coming on board but we are not ready to let the cat out of the bag yet; announcements will be made soon” … Theo says.

The Africa International Film Festival – AFRIFF is Africa’s most vibrant film festival experience. AFRIFF consistently delivers an energetic and exciting hub of reel people making reel connections and has gradually built a reputation for delivering real value. The festival this year will hold from 5-11 November 2023. Ukpaa closed announcing that some of the best students from the Accelerate Filmmaker project AFP will have their films screen at AFRIFF this year. A great achievement for the budding students and the project.

Theo Ukpaa has been consistent with mentoring young entrepreneurs from all walks of life with the purpose of raising the next generation of young leaders who will shape a better African continent.

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Media Executive and AFRIFF COO, Theo Ukpaa delivered a very insightful lecture during his master-class at the Oslo Urban film conference in Norway. He gave a detailed breakdown on the growth of the Nigeria film industry popularly known as Nollywood. Nollywood ranks second in the world after Hollywood with a financial value of over $6.4 billion, making it one of the fastest-growing movie industries in the world and one of the biggest employers of labour in the country. Ukpaa felt a need to enlighten the global film front about the Nigeria film industry while emphasizing that with Federal Government support, Nollywood has potentials financially to surpass Hollywood and Bollywood out together.
“To put the financial impact of Nollywood on the socioeconomic landscape in proper perspective, we must consider the known fact that the Nigerian movie industry is currently ranked the second largest film industry globally with the financial value of the film industry put at over $6.4 billion as of 2021” Ukpaa narrates.
The Oslo Urban film conference Norway in is organised by independent filmmakers and attracted speakers and facilitators from all over Europe, USA and Asia. At the event which also saw players and stakeholders in the industry from all over the world being rewarded with awards of various categories, the AFRIFF COO said the impacts of Nollywood in the Nigerian economy, if well sustained would open doors of prosperity to the country and beyond.
Ukpaa said “since the breakthrough by pioneers of the industry in the 60s and early 90s, “Nollywood has become a thriving space that not only provides an avenue for entertainment but also generates significant revenue for Nigeria’s economy”
“Furthermore, the job-creating potential inherent in the industry cannot be overstated as the industry currently employs over ten million people, making it one of Nigeria’s largest employers. Its capacity to employ a large number of people has been applauded by the World Bank, who acknowledged the job creation potentials of Nollywood,” he added.
There is no surprise regarding the high registration and turn out Ukpaa’s Masterclass following the success of his Masterclasses all around the globe, incorporating his many film lectures at various international universities. Mr. Ukpaa has spread his teaching to institutions in Europe, America and African continent. The Global film development Masterclass integrated Filmmakers technical and conceptual understanding of filmmaking with the practical dimensions of managing career in the Global film industry. Young filmmakers were enlightened about the great influx of streaming platforms like Netflix and Prime video and the current industry business models and development plans to advance their careers in filmmaking on a global stage.
According to Theo “Often times people focus merely on the show and glamor as well as the razzmatazz that comes with filmmaking, and end up dying broke. A strong national economy depends on a strong creative economy—and it all starts with a story. The film and television industry supports 2.4 million jobs, pays out $186 billion in total wages, and comprises over 122,000 businesses. As a Filmmaker, one of the best moments is directing real stories of real individuals, getting them to the big screens and smiling to the Bank”. He believes that passion can burn out when expenditure and hard work does not produce financial returns. These are part of the important basics he taught at his Masterclass at the coal city film Festival.
Young filmmakers were also thought how to pitch their film project, how best to approach investors, how to access international grants, how to approach film distribution the perfect way and how to stay relevant in the film industry while maximizing profit.
Theo Ukpaa is an African filmmaker, playwright, and entrepreneur. He was listed as top 10 most promising new directors by Africa Kulture Magazine in 2020.
Ukpaa is a certified project management professional offering a Master’s in Business Administration degree from the prestigious Loyola Marymount University in Los Angeles, California plus a Diploma in Contract Law from the esteemed Harvard University. A Native Nigerian with a passion to empower young art and culture creatives through teaching and Masterclasses at various free empowerment across Africa.
He also touched on the importance of a production treaty between Nigeria and the neighboring African countries to ease free flow of cultural exchange and breaking language barrier while leaching on great treaty benefits. The importance of Government tax incentives was also emphasized.
It was imperative to note that the Nigeria film industry contributes largely to the nations GDP and deserves a lot of support from the government as it relates to growth and sustainability in the creative sector of the country.
Theo has multiple speaking engagement lined up all year at various institutions including the Willshire Film festival in London, Sabia film festival in Monaco, the Francoise film festival in Paris, France and the United States of America

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AFRIMA Demands Justice For Slain AKA; Urges Governments In Africa To Protect Music Stars




The International Committee of the All Africa Music Awards (AFRIMA), has implored governments of African countries to arrest the growing cases of violent deaths against music stars on the continent just as it urged the South African authorities to expedite the process of prosecution of the killers of rapper Kiernan Forbes popularly known as AKA.

AFRIMA recalls that the 35-year-old AKA was killed in a cold-blooded shooting on February 10, 2023, at a nightclub in Durban, South Africa and the awards body is demanding that everyone linked to his gruesome murder be expeditiously brought to justice.

President and Executive Producer, AFRIMA, Mike Dada, in a statement, said governments of African nations must make deliberate efforts to prevent violent attacks against music talents, averring that the disturbing trend could potentially erode the gains recorded in the creative industry over the years if not checked.

Dada said the murder of AKA is a wake-up call to governments across the continent to scale up their security architecture to encourage the protection of talented individuals. He suggested that efforts should be sustained to checkmate the proliferation of small arms especially.

AFRIMA said the senseless killing of AKA utterly hurts African creative space, insisting that South African authorities must arrest and prosecute everyone involved in the dastardly act.

“We strongly demand from the government of South Africa to arrest and prosecute all the persons involved in the killing of AKA to serve as a deterrent to criminally-minded individuals who cut short the lives of talents at their prime. The crime deterrent is for criminals to know that there is a big chance for them to be arrested, prosecuted and convicted; we strongly call for justice to be sufficiently served in this case.

“However, this is also a call to the governments of various countries across the continent of Africa to react to this gruesome killing by addressing the challenge of the proliferation of small arms. The trend of arms proliferation in Africa has had an impact on the continent’s internal security, which has led to violence and the deaths and injury of thousands of innocent citizens including our music stars and we encourage steps that will lead to the protection of the lives of our talented stars.

“Our ideals include using the platform of AFRIMA to promote the strength of Africa and tell a positive story of the continent and we believe we can tackle poverty, inequality, unemployment, climate change and other challenges bedeviling our dear continent through music but the lives of creative talents should be protected to fully realise these lofty dreams,” he said.

Similarly, speaking on AKA’s killing, AFRIMA’s Country Director, South Africa, Lekunutu Seboko, said the government of the country must back up its promises and assurances with concrete action by solving the murder case in good time. He believes bringing the perpetrators of the heinous crime to book will deepen the trust and belief in a better future for not only the music stars in the country but all South Africans, where they can feel safe and secure in their homes and communities.

“AKA’s sudden death is a deeply disturbing tragedy and development in South African music; the ghastly manner of his death has had international reverberations and our government must endeavour to bring his assailants to book to prove to the world that we indeed operate a system that uplifts justice and sanity.

“Undoubtedly, the African music landscape is diminished by his untimely death; but it is now the responsibility of South African authorities to ensure that justice prevails. We understand that some arrests have been made, but the process of bringing everyone connected to his death to book must be swift because justice delayed is justice denied,” he said.

AFRIMA also reacted to the sudden death of another South African rapper Costa Titch who died in March while performing on stage.

Dada said the invaluable contributions of Costa Stitch, whose real name was Constantinos Tsobanoglou, and AKA to Africa’s creative and music ecosystem would be sorely missed.

He added that African music was yet to come to terms with the sudden demise of the two great artists, describing them as true musical giants whose incredible songs and voices touched countless lives.

He added that AKA set the bar high for South African hip-hop just as Costa Titch took it up a notch and the two superstars collectively and collaboratively projected African music and culture on the world stage with many songs they did together.

He added that the two music icons were prominent figures in the AFRIMA community, recalling that AKA was a winner while Costa Titch won multiple nominations.

Dada said: “The deaths of AKA and Costa Titch will continue to cause significant reverberations across the African music fraternity because their contributions to the art were simply magical. Their music, messages, and successes gave hope to young Africans mired in poverty, violence, and uncertainty. Their works did not only elevate the hip-hop genre to the mainstream of South African music but impacted the global music audience in a manner that deepened the acceptance of African music and culture on a large scale.

“Their losses are personal to us in AFRIMA because they have been part of our journey. We recall that AKA won the Best African Collaboration award in the 2015 edition of AFRIMA for his effort on ‘All Eyes on Me’ which features Burna Boy, Da LES and others, while Costa Titch got a historic six nominations in the recently held 2022 edition. The greatness of their crafts is still being acknowledged even in their graves.

“We are still sombre and sad about their sudden departures. They inspired the whole of our continent; full of faith, courage, and strength, they have left a huge void in the music industry and their invaluable contributions to the African music ecosystem would be missed forever.”

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