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AFRIMA advocates more collaborations among African artistes as Cameroon star KO-C and Burkina Faso’s Tanya visit AFRIMA’s secretariat

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The President of the All Africa Music Awards (AFRIMA), Mr. Mike Dada, has made a call for heightened collaborations among African musicians, urging artistes to leverage the platform created by the award institution to foster deeper connections and partnerships that will deepen the growth in the creative industry and boost the economy of the continent.

Dada made the call during a recent courtesy visit of emerging music superstars KO-C of Cameroon and Miss Tanya from Burkina Faso to AFRIMA’s secretariat in Lagos, Nigeria.

Dada, who is also the Executive Producer of AFRIMA, stated that the rich and diverse musical blend of Africa offers a unique platform for artists to collaborate and create exceptional works that reflect the cultural richness and distinct identity of the continent.

He described this as a key driver for the growth and global recognition of African music.

“We believe in the power of music to bring people together, transcending linguistic, cultural, and geographical barriers. AFRIMA believes that collaborative efforts can contribute not only to the advancement of individual artists but also to the collective elevation of African music on the global stage. We have championed this narrative for years, and we are happy that stakeholders across the continent have keyed into it, which is evident by the acceptance of our craft by the global audience. However, we think there is still room for improvement; we can still tell more of our story through more collaboration, and we can also learn from one another,” he said.

KO-C, who has taken Cameroon’s music landscape by storm, and has many awards to his name, described AFRIMA as the foremost music award platform on the African continent that every artist aspires to win.

KO-C, known for his chart-topping hits, including the single ‘Himself’, said, “Trust me, AFRIMA is the number one music award institution in Africa. You have created a platform that is unique and trustworthy; this is one award that has celebrated our success as Africans and provided opportunities for us to grow. As the President said, AFRIMA considers all artists the same; I know everyone has to work hard to win in any category of the award because of a whole lot of transparency you have thrown into it, and that is why all artists on our continent have continued to trust you.”

Tanya, a highly acclaimed vocalist from Burkina Faso, echoed similar sentiments, praising AFRIMA for its role in elevating African music globally.

The artist, who is the first and only Burkinabe musician to shut down the 45,000-capacity Ouagadougou Stadium, stated, “AFRIMA has consistently showcased the incredible talent that Africa possesses. As an artist, being recognized by AFRIMA is a tremendous honour. It’s a platform that allows us to connect with a broader audience and celebrate our unique musical identities. I am really working hard to be a winner someday.”

Dada, thanking the music stars for the courtesy visit, also said AFRIMA was not just an award institution but a unique platform committed to addressing challenges plaguing the continent through the implementation of its core values.

“There are core pillars of AFRIMA, which is why we are different from other platforms: the music award, the music festival, the Africa Business Summit, and the music academy. However, for instance, there is currently a lack of proper set designers and music production facilities in Africa. People learn on the job, as there is no proper school or academy where they can learn in a structured manner. We created the Music Academy to address this issue.

“Advocacy is another important pillar of AFRIMA. We believe that music is not just for entertainment but also a platform to raise concerns about issues in Africa. For example, we will be going to Somalia in March because that country has been at war for over two decades and nobody is talking about it. Children and women are dying every day, but the world has forgotten about them. We use music to encourage stakeholders to voice their concerns. We also draw attention to issues such as child education and health infrastructure and call on governments across Africa to take action.

“Talent discovery and growth are another pillar of AFRIMA. The main difference between artists in Europe, America, and Africa is the lack of access to facilities. Many artists in Africa have to write, produce, publish, and distribute their music themselves, without access to proper facilities. To address this, we have partnered with studios so that artists can record their three-minute songs and make videos for free. We then showcase these videos to the rest of the world through our media platforms, and an investor or record label might hear the music and be interested. We are also advocating for legislation that can allow artists to use their intellectual property as collateral for loans to produce and promote their work.”

BridgeAfric President Victoria Nkong, who was part of the entourage to AFRIMA’s headquarters, concurred with Dada on the need for more collaboration among African artists, especially between the Francophone and Anglophone divides.

“These collaborations are crucial for the growth of music in Africa. Through this process, artists can learn a lot from their colleagues in other countries. Governments are unlikely to do much for us, so we have to take the initiative and develop our sector ourselves. I always encourage artists from other countries to follow Nigeria’s example with the way they are pushing Afrobeat to a global audience. The success of Nigerian music is the result of efforts from stakeholders, and we can replicate that success across Africa,” said Nkong, whose BridgeAfric is creating opportunities for artists in Africa to showcase their talent beyond their countries.

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After 41 years, Mike Ejeagha’s classic “Gwo Gwo Gwo Ngwo” sparks viral dance challenge …….. As celebrities storms his Enugu home with cash gifts.

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Nigerian folklore music legend, Gentleman Mike Ejeagha, has taken social media by storm as his timeless highlife song, “Gwo Gwo Gwo Ngwo”, has sparked a viral dance challenge among content creators and celebrities worldwide.

The dance moves appear to have become a challenge, with many people creating versions of it after popular comedian and content creator, Brain Jotter, pioneered the challenge.

The decades-old song has experienced a remarkable resurgence on TikTok and other social media platforms.

The song’s deep meaning and rich representation of Igbo culture have resonated with today’s generation, propelling it to viral status.

A global competition has emerged, with users showcasing their creativity and talent using the song.

Social media users including celebrities have continued to jump on the dance move, “Gwo Gwo Gwo Ngwo”.

Super Falcons’ star and FC Bay footballer, Asisat Oshoala, and some teammates, in an Instagram post, were seen making the dance moves after they touched down in Bordeaux before the opening ceremony of the 2024 Olympics.

Former Big Brother Naija housemate and actor, Tobi Bakre, also took to the dance challenge with his wife.

Other celebrities, Nollywood actors, dancers, comedians, entertainers, content creators have also jumped on the latest dance trend.

NAN reports that this unexpected boost has brought Gentleman Mike Ejeagha’s 41-year-old song back into the spotlight.

Mike Ejeagha is now 93 years old and he released the song in 1983.

The song is an enchanting Igbo folklore tune that narrates the story of Enyi (the elephant) and Mbe (the tortoise).

In this tale, the cunning tortoise outsmarts the powerful elephant and sells him to the king, there by securing the hand of the princess in marriage.

The tortoise is a recurrent figure in Igbo folklore, often depicted as clever and shrewd.

The song’s catchy chorus, “Enyi Na Aga, Gwo Gwo Gwo Ngwo,” reflects the tortoise’s triumphant deceit as he leads the Elephant to the king.

NAN also reports that well-meaning Nigerians are paying homage to Mike Ejeagha in his house, he has been receiving cash gifts.

Unconfirmed reports suggested that Brain Jotter gifted him cash and a car.

The skit has become Brain Jotter’s most viewed video on Instagram, amassing an impressive four million likes and 500,000 comments.

This phenomenon has not only introduced Gentleman Mike Ejeagha’s music to a new audience but also cemented his legacy as a pioneer of Nigerian folklore music.

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MISS IBADAN PAGEANTS AND AWARDS GRAND FINALE SET TO HOLD IN IBADAN

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The ADERONKE OMO DAIRO FOUNDATION (AOD) is thrilled to announce its highly anticipated Miss Ibadan grand finale event, set to take place on Saturday 3rd of August 2024 at SOPHIA EVENT PLACE, Joke plaza besides trans amusement park,Bodija Ibadan. This spectacular evening will showcase the grace, talent, and poise of our exceptional finalists as they compete for a LAND PROPERTY in Ibadan with other amazing prizes.

 

The grand finale promises to be an unforgettable evening of glamour and excitement, featuring dazzling performances, stunning outfits , and impressive talent displays. Attendees can expect a night filled with elegance, entertainment,Award presentation and inspiration as we celebrate the achievements and dedication of our contestants throughout this prestigious competition.

 

“This is the second edition of the competition and as we have shown exceptional talent, grace, and determination in the previous edition , we are increasing the tempo this year” said AOD, The Queen Mother Miss Ibadan . “The grand finale is the culmination of months of hard work and preparation, and we are excited to see who will be crowned our next Ibadan Beauty Queen ”

 

The event will also feature special guest performances, celebrity judges, and opportunities for attendees to mingle with pageant royalty and industry insiders. Guests should look forward to a red carpet reception, photo opportunities, and a chance to witness the crowning moment live.

 

Tickets for the grand finale are now available :

Standard 3k

Gold table of 8 – 85k

Silver table of 8 – 125k

VIP table of 6 – 180k

VVIP table of 6 – 250k.

 

Don’t miss your chance to be a part of this extraordinary evening celebrating beauty, talent, and empowerment.

 

For more information about the Miss Ibadan grand finale contact: 09040000076

For ticket : Make payment to this account:6615539480

A-O-D

Moniepoint

Kindly send your proof of payment on WhatsApp(09040000076) for verification

 

Join us for an evening of glamour, talent, and inspiration at theMiss Ibadan 2024 grand finale. We look forward to seeing you there!

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Olamide rejected N100 million I gave him for a verse – Tiwa Savage

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Popular songstress, Tiwa Savage has disclosed that Olamide rejected N100 million for a verse in her song.

Tiwa in a post on her Instagram page on Wednesday, explained that Olamide, the owner of the YBNL record label, rejected the money after his management billed her.

She noted that Olamide didn’t charge her because of his knowledge of the hardships that female artistes face in the music industry.

Speaking on their sibling-like bond, Tiwa appreciated the rapper for exhibiting his helpful and caring personality towards her.

“I was talking to his management, I did not want to talk to him directly because he would want to do it for free. I was willing to pay and his team charged me N100m. When Olamide asked them who the artiste was, he just said NO. He won’t take it.

“He said I’m his sister and he knows how difficult it is for a woman to make it in the industry. And guess what? He gave the verse for free. Good people exist and Baddo is one,” she said.

 

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