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AFRIMA advocates more collaborations among African artistes as Cameroon star KO-C and Burkina Faso’s Tanya visit AFRIMA’s secretariat

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The President of the All Africa Music Awards (AFRIMA), Mr. Mike Dada, has made a call for heightened collaborations among African musicians, urging artistes to leverage the platform created by the award institution to foster deeper connections and partnerships that will deepen the growth in the creative industry and boost the economy of the continent.

Dada made the call during a recent courtesy visit of emerging music superstars KO-C of Cameroon and Miss Tanya from Burkina Faso to AFRIMA’s secretariat in Lagos, Nigeria.

Dada, who is also the Executive Producer of AFRIMA, stated that the rich and diverse musical blend of Africa offers a unique platform for artists to collaborate and create exceptional works that reflect the cultural richness and distinct identity of the continent.

He described this as a key driver for the growth and global recognition of African music.

“We believe in the power of music to bring people together, transcending linguistic, cultural, and geographical barriers. AFRIMA believes that collaborative efforts can contribute not only to the advancement of individual artists but also to the collective elevation of African music on the global stage. We have championed this narrative for years, and we are happy that stakeholders across the continent have keyed into it, which is evident by the acceptance of our craft by the global audience. However, we think there is still room for improvement; we can still tell more of our story through more collaboration, and we can also learn from one another,” he said.

KO-C, who has taken Cameroon’s music landscape by storm, and has many awards to his name, described AFRIMA as the foremost music award platform on the African continent that every artist aspires to win.

KO-C, known for his chart-topping hits, including the single ‘Himself’, said, “Trust me, AFRIMA is the number one music award institution in Africa. You have created a platform that is unique and trustworthy; this is one award that has celebrated our success as Africans and provided opportunities for us to grow. As the President said, AFRIMA considers all artists the same; I know everyone has to work hard to win in any category of the award because of a whole lot of transparency you have thrown into it, and that is why all artists on our continent have continued to trust you.”

Tanya, a highly acclaimed vocalist from Burkina Faso, echoed similar sentiments, praising AFRIMA for its role in elevating African music globally.

The artist, who is the first and only Burkinabe musician to shut down the 45,000-capacity Ouagadougou Stadium, stated, “AFRIMA has consistently showcased the incredible talent that Africa possesses. As an artist, being recognized by AFRIMA is a tremendous honour. It’s a platform that allows us to connect with a broader audience and celebrate our unique musical identities. I am really working hard to be a winner someday.”

Dada, thanking the music stars for the courtesy visit, also said AFRIMA was not just an award institution but a unique platform committed to addressing challenges plaguing the continent through the implementation of its core values.

“There are core pillars of AFRIMA, which is why we are different from other platforms: the music award, the music festival, the Africa Business Summit, and the music academy. However, for instance, there is currently a lack of proper set designers and music production facilities in Africa. People learn on the job, as there is no proper school or academy where they can learn in a structured manner. We created the Music Academy to address this issue.

“Advocacy is another important pillar of AFRIMA. We believe that music is not just for entertainment but also a platform to raise concerns about issues in Africa. For example, we will be going to Somalia in March because that country has been at war for over two decades and nobody is talking about it. Children and women are dying every day, but the world has forgotten about them. We use music to encourage stakeholders to voice their concerns. We also draw attention to issues such as child education and health infrastructure and call on governments across Africa to take action.

“Talent discovery and growth are another pillar of AFRIMA. The main difference between artists in Europe, America, and Africa is the lack of access to facilities. Many artists in Africa have to write, produce, publish, and distribute their music themselves, without access to proper facilities. To address this, we have partnered with studios so that artists can record their three-minute songs and make videos for free. We then showcase these videos to the rest of the world through our media platforms, and an investor or record label might hear the music and be interested. We are also advocating for legislation that can allow artists to use their intellectual property as collateral for loans to produce and promote their work.”

BridgeAfric President Victoria Nkong, who was part of the entourage to AFRIMA’s headquarters, concurred with Dada on the need for more collaboration among African artists, especially between the Francophone and Anglophone divides.

“These collaborations are crucial for the growth of music in Africa. Through this process, artists can learn a lot from their colleagues in other countries. Governments are unlikely to do much for us, so we have to take the initiative and develop our sector ourselves. I always encourage artists from other countries to follow Nigeria’s example with the way they are pushing Afrobeat to a global audience. The success of Nigerian music is the result of efforts from stakeholders, and we can replicate that success across Africa,” said Nkong, whose BridgeAfric is creating opportunities for artists in Africa to showcase their talent beyond their countries.

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15 Years After, Best Of Nollywood To Collaborate With Group 8 On BON Awards

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– As Seun Oloketuyi Steps Down As CEO, Appoints Feranmi Olaoye Executive Producer

After a 15-year eventful milestone, Best of Nollywood (BON) has disclosed a strategic collaboration with Group 8 LTD for the next five editions of the BON Awards. Group 8 LTD, a media-tech organisation renowned for its diverse mass and new media assets, including Soundcity, Trybe TV, OnTV, Spice TV, and other networks, will contribute its expertise to elevate innovation in media and communications for the prestigious awards.

Simultaneously, Seun Oloketuyi, the Founder and Chief Executive Officer of Best of Nollywood (BON) Awards, is stepping down from the leadership position. In his place, Feranmi Olaoye has been appointed as the Acting Executive Producer of the Awards, effective immediately. Olaoye will be supported by a soon-to-be-announced nine-member Advisory Board, which will also have Oloketuyi as a member.

The collaboration with Group 8 LTD aims to ensure the seamless and enhanced delivery of Nigeria’s longest-running award production.

Best of Nollywood Awards, an annual event celebrating exceptional achievements in the Nigerian film industry, had its inaugural edition on December 6, 2009, in Ikeja, Lagos State.

Looking ahead, the 2024 edition of the BON Awards is scheduled to take place in Enugu come November 2024.

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Lifestyle editor Tomi Falade set to unveil two books

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Nigerian writer, journalist and author Tomi Falade is set to unveil two literary exploits on Sunday, February 11.

The event is billed to be hosted by Gbenga Adeyinka 1st at De Rembrandt Hotel, Alausa, Lagos and will see Falade unveiling her first two books, ‘OLOBUN: Matriarch Of Ondo, Mother Of Legacy’, and ‘Dates From Hell.’

Falade, an entertainment editor with Independent Newspapers Ltd, opened up on her foray into the world of writing as an author and journalism saying, “My love for literature is what led me to journalism, and after over a decade in the media industry, my flair for telling extraordinary stories has not waned. I believe it is time to share another facet of my literary exploits with the world in drama and story form.”

On why she chose to launch the two books together, she revealed that it was mere coincidence.

“The plan was to originally launch Dates From Hell in 2023, but prevailing circumstances at the time made me move it to 2024. Now that the two books are ready I just thought that I could do both at the same time, so here we are. This is why I tagged the event a book party.

“Many people do not realise that literature can be fun, this event is to show that we can genuinely have fun with literature.”

‘OLOBUN: Matriarch Of Ondo, Mother Of Legacy’ is a rich drama set in 15th-century Oyo and explores themes of adventure, exile, and the birth of the lasting legacy of the Ondo Kingdom while ‘Dates From Hell’ is a collection of short stories based on true events of people on romantic dates.

Tomi’s flair for scripting extraordinary stories is evident in her extensive body of work, which includes well over a thousand stories and articles. Her portfolio encompasses a variety of genres, with dozens of published features and investigative stories that reflect her commitment to delivering compelling narratives.

As the Life Editor (Saturday) at Independent Newspapers Ltd, Tomi Falade continues to shape the literary landscape with her editorial expertise and keen storytelling acumen. Her ability to capture the essence of human experiences and translate them into captivating narratives has earned her respect and admiration within and beyond the journalism community.

“Dates From Hell” is poised to captivate readers with its promise of gripping tales, showcasing Tomi Falade’s unique storytelling style. OLOBUN is a recapturing of history reminiscent of the great playwrights of old. With her literary prowess, Tomi remains a noteworthy figure in Nigerian literature, leaving an indelible mark with each piece she crafts.

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FULL LIST: 2024 Grammy Award Winners…..

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It was a poor outing for Nigerian artistes, none of whom bagged an award at the 66th Grammy Awards ceremony held at the Peacock Theatre in Los Angeles., United States on Sunday.

Five artistes of Nigerian descent – David Adeleke, aka, Davido; Damini Ogulu, aka Burna Boy; Ahmed Ololade, aka Asake; Olamide Adedeji, aka Baddo; and Oyinkansola Aderibigbe, aka Ayra Starr; all lost out of the Grammy in their combined 10 nominations across different award categories.

In November 2023, the five artistes were nominated for the 2024 Grammy Awards.

Below is the full list of winners of the 66th Grammy Awards:

Best African Music Performance

Amapiano – Asake and Olamide

City Boys – Burna Boy

Water – Tyla WINNER

Unavailable – Davido Featuring Musa Keys

Rush – Ayra Starr

Best Melodic Rap Performance

Sittin’ On Top Of The World – Burna Boy Featuring 21 Savage

Attention – Doja Cat

All My Life – Lil Durk Featuring J. Cole WINNER

Spin Bout U – Drake & 21 Savage

Low – SZA

Best Global Music Album

Epifanías — Susana Baca

History — Bokanté

I Told Them… — Burna Boy

This Moment – Shakti WINNER

Timeless — Davido

BEST RAP ALBUM

Her Loss – Drake & 21 Savage

Michael – Killer Mike WINNER

Heroes & Villains – Metro Boomin

King’s Disease III – Nas

Utopia – Travis Scott

PRODUCER OF THE YEAR, NON-CLASSICAL

Dernst “D’Mile” Emile II

Jack Antonoff – WINNER

Hit Boy

Metro Boomin

Daniel Nigro

SONGWRITER OF THE YEAR, NON-CLASSICAL

Edgar Barrera

Jessie Jo Dillon

Shane McAnally

Theron Thomas – WINNER

Justin Tranter

Best Global Music Performance

Shadow Forces – Arooj Aftab, Vijay Iyer & Shahzad Ismaily

Alone – Burna Boy

Pashto – Béla Fleck, Edgar Meyer & Zakir Hussain Featuring Rakesh Chaurasia WINNER

FEEL – Davido

Milagro Y Desastre – Silvana Estrada

Abundance In Millets – Falu & Gaurav Shah (Featuring PM Narendra Modi)

Best Album Notes

Evenings At The Village Gate: John Coltrane With Eric Dolphy (Live)

Written In Their Soul: The Stax Songwriter Demos – WINNER

I Can Almost See Houston: The Complete Howdy Glenn

Mogadishu’s Finest: The Al Uruba Sessions

Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971

Best Boxed Or Special Limited Edition Package

The Collected Works Of Neutral Milk Hotel

Gieo

For The Birds: The Birdsong Project – WINNER

Inside: Deluxe Box Set

Words & Music, May 1965 – Deluxe Edition

Best Music Film

How I’m Feeling Now -Lewis Capaldi

Live From Paris, The Big Steppers Tour – Kendrick Lamar

Moonage Daydream – David Bowie WINNER

I Am Everything – Little Richard

Dear Mama – Tupac Shakur

Best Music Video

In Your Love – Tyler Childers

I’m Only Sleeping – The Beatles WINNER

What Was I Made For – Billie Eilish

Count Me Out – Kendrick Lamar

Rush – Troye Sivan

Best Song Written For Visual Media

Barbie World [From “Barbie The Album”]

What Was I Made For? [From “Barbie The Album”] – WINNER

Dance The Night [From “Barbie The Album”]

I’m Just Ken [From “Barbie The Album”]

Lift Me Up [From “Black Panther: Wakanda Forever – Music From And Inspired By”]

Best Score Soundtrack for Video Games and Other Interactive Media

Call Of Duty®: Modern Warfare II – Sarah Schachner

Hogwarts Legacy – Peter Murray, J Scott Rakozy & Chuck E. Myers “Sea”, composers

Star Wars Jedi: Survivor – Stephen Barton & Gordy Haab WINNER

God Of War Ragnarök – Bear McCreary, composer

Stray Gods: The Roleplaying Musical – Montaigne, Tripod & Austin Wintory, composers

Best Score Soundtrack For Visual Media (Includes Film And Television)

Black Panther: Wakanda Forever – Ludwig Göransson

Indiana Jones And The Dial Of Destiny – John Williams

Oppenheimer – Ludwig Göransson WINNER

Barbie – Mark Ronson & Andrew Wyatt

The Fabelmans – John Williams

Best Compilation Soundtrack For Visual Media

Aurora

Barbie The Album – WINNER

Black Panther: Wakanda Forever

Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3

Weird: The Al Yankovic Story

Best Comedy Album

I Wish You Would – Trevor Noah

I’m An Entertainer – Wanda Sykes

What’s In A Name? – Dave Chappelle – WINNER

Selective Outrage – Chris Rock

Someone You Love – Sarah Silverman

Best Engineered Album, Non-Classical

Desire, I Want To Turn Into You

History

Jaguar II – WINNER

Multitudes

The Record

Best Immersive Audio Album

God Of War Ragnarök (Original Soundtrack)

Act 3 (Immersive Edition)

The Diary Of Alicia Keys – WINNER

Blue Clear Sky

Silence Between Songs

Best Historical Album

Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17

Written In Their Soul: The Stax Songwriter Demos – WINNER

The Moaninest Moan Of Them All: The Jazz Saxophone of Loren McMurray, 1920-1922

Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971

Words & Music, May 1965 – Deluxe Edition

Best Tropical Latin Album

Voy A Ti – Luis Figueroa

Siembra: 45º Aniversario (En Vivo en el Coliseo… – Rubén Blades… WINNER

Niche Sinfónico – Grupo Niche Y Orquesta Sinfónica Nacional de Colombia

VIDA – Omara Portuondo

MIMY & TONY – Tony Succar, Mimy Succar

Escalona Nunca Se Había Grabado Así – Carlos Vives

Best Gospel Album

I Love You – Erica Campbell

Hymns (Live) – Tasha Cobbs Leonard

The Maverick Way – Maverick City Music

All Things New: Live In Orlando – Tye Tribbett WINNER

My Truth – Jonathan McReynolds

Best Roots Gospel Album

Tribute To The King – The Blackwood Brothers Quartet

Echoes Of The South – Blind Boys Of Alabama WINNER

Songs That Pulled Me Through The Tough Times – Becky Isaacs Bowman

Meet Me At The Cross – Brian Free & Assurance

Shine: The Darker The Night The Brighter The Light – Gaither Vocal Band

Best Rap Album

Her Loss – Drake & 21 Savage

MICHAEL – Killer Mike WINNER

HEROES & VILLIANS – Metro Boomin

King’s Disease III – Nas

UTOPIA – Travis Scott

Best R&B Album

Girls Night Out – Babyface

JAGUAR II – Victoria Monét WINNER

What I Didn’t Tell You (Deluxe) – Coco Jones

Special Occasion – Emily King

CLEAR 2: SOFT LIFE EP – Summer Walke

Best Remixed Recording

Alien Love Call

New Gold (Dom Dolla Remix)

Reviver (Totally Enormous Extinct Dinosaurs Remix)

Wagging Tongue (Wet Leg Remix) – WINNER

Workin’ Hard (Terry Hunter Remix)

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